Sony F5 Tag

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28 Aug Sony F5 Hacked, Can Shoot 4k Internally

The Sony PMW-F5 has just been hacked to shoot internal 4k XAVC video. This is big news, of course, because one of the biggest differences between the F5 and the more expensive (almost twice as much!) F55 was the ability to shoot 4k internally, without needing to purchase a separate AXS-R5 4k recorder. There has always been speculation that the F5 was capable of internal 4k, and this new discovery proves both that it’s capable, and that Sony has intentionally disabled the functionality of the F5. See cinematographer Paul Ream’s short Vine video below to see the 4k resolution readout on the F5 screen.

Ream, who discovered the hack, goes on to explain the process of hacking the camera on the ExtraShot podcast here. Start listening around 19 minutes to jump straight to his explanation, which is remarkable in that he does not change the firmware nor tweak the physical hardware of the camera in any way. Instead, he merely edits the camera settings via a text editor on his computer.

Of course, we’ll need to wait and see if others can replicate his results, as well as wait for Sony’s response. The company may choose to not respond at all, much like Canon and the Magic Lantern firmware hacks on their DSLRs, but the debate will continue about the ethics of artificially limiting a camera’s capabilities only to sell more higher-end models and accessories. Futhermore, if there’s enough backlash over this discovery, Sony may choose to update the F5 firmware to allow internal 4k, essentially making the F55 obsolete (at least for the price) and alienating F55 owners who’ve already made the purchase. It will be interesting to see how everything plays out.

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09 Jan Sony F5 Firmware v3.0 Released

Sony recently pushed out the newest major firmware update for their Sony F5 and F55 cameras. This update includes a few major changes but mostly numerous minor additions to the ever-expanding functionality of the CineAlta line. Both cameras are finally living up to and surpassing the promises Sony teased us with when they were first announced, and proving to be great options for both studio and on-the-go filmmaking.

After updating our F5, the new features we’re most excited about are the additional S&Q (slow and quick) framerates for both 2k and 4k recording, the center scan mode for use with 16mm lenses, the activation of the AES/EBU digital audio inputs, and the ability to playback RAW 4k footage from our AXS-R5 recorder on set. Check out the Sony infographic here for a changelog of features throughout the past year.

Sony F5 Firmware Update

Other notable updates not mentioned in the graphic are additions to the Wi-Fi remote controls, new S-Log color grading space selections and white balance adjustments, and improved user LUT controls. A full list of changes, including both cameras and recorder firmware download links can be found on the Sony forums here.

The two features expected in this update that didn’t make the cut are cache recording and interval (timelapse) modes, which have been pushed back to March (firmware v4.0). Besides those, Sony has given us everything promised and more, and the Studio B production team is excited to continue shooting with the improved functionality of the CineAlta cameras. Call or email today to rent our Sony F5 package, fully up-to-date with the new features of firmware v3.0.

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02 Jan XQD Cards for Sony F5 & F55 – guest post by DP Dennis Hingsberg

XQD Cards

For those looking at alternative options to Sony’s SXS Pro Plus cards (recommended for best performance on the F5/F55), fortunately as of the October version 2.0 firmware release Sony added support for the Sony XQD memory card format. Not only do the XQD cards outperform traditional Compact Flash cards for image capture, but with read/write speeds of up to 180MB/s they support stable workflows at XAVC 4k Intra 4:2:2 (4096×2160/60p, 600Mbps) and mean super speedy transfer rates to your computer via PCIe interface.

To make things slightly confusing there are three series of Sony XQD cards; S-Series, H-Series, and N-Series. The S-Series comes in two speeds (168MB/s and 180MB/s) and the new N-Series is 125MB/s. The H-Series is now discontinued (was 125MB/s). According to Sony; “the S-Series features a Wear Leveling Function, Error Correction Code, Data Refresh Function and other new features to enable secure and stable recording of 4K content, helping to meet the rigorous demands faced by professionals. The N-Series gives consumers an affordable entry-level option that supports consumer 4K shooting.”

A Sony 64GB SXS Pro Plus card will set you back around $850 USD while a 64GB S-Series XQD card costs around $319 for the 180MB/s card and slightly less for the 168MB/s. For the F5 and F55 Sony has indicated that the XQD cards support all codecs: XAVC 4K, XAVC 2K, XAVC HD, HDCAM SR file, MPEG. An SxS to XQD card adapter ($33 USD) is needed to use the XQD card media in the cameras, and an optional USB3.0/2.0 XQD card reader can be purchased for around $38 USD.

TESTING:

I tested both the 168MB/s and 180MB/s XQD S-series on the Sony F55 using a resolution, codec and frame rate that would produce the absolute highest maximum data rate which is 600Mbps when recording 4096×2160/60p in XAVC. A quick look at the Sony F5/F55 data chart shows there is no other combination of resolution, codec and frame rate on the F5 or F55 that exceeds 600Mbps. So it would stand to reason that if the S-Series XQD cards can handle 4096×2160/60p that all other combinations of settings should also work flawlessly.

SonyF5-F55-media-chart_zpsc9408fdf-1

If there is still any doubt that these cards have adequate performance to work in various camera shooting modes I suggest that you ignore the codec, frame rate, and resolution, and strictly look at the bitrates you will be working with. For example 4k/60p and 180fps HD in HFR mode have the exact same bit-rate of 600Mbps, which is the highest data rate possible on the cameras. Remember the SR codec maxes out at 440Mbps in 30p mode, and MPEG even lower.

When you look at just how fast these cards are in Mbps equivalence, the XQD cards are up and around near 1440Mbps and 1340 for the 180MB/s and 168MB/s respectively, and although the data rates of the cameras don’t come anywhere close to the max rates of the cards, where you will find the benefit in speed is later during transfer of footage when off loading your footage to your computer or storage network device.

Unfortunately at the time I performed my tests the N-Series were not available yet so I did not have an opportunity to test them. They should definitely be fine for MPEG on the F5/F55 but from what I read they are more geared for consumer use on the newer generation of Sony 4k cameras. During my testing I also did not have a chance to test 4k XAVC and HD MPEG proxy simultaneous recording on the F55.

All and all I think the XQD cards can be a great alternative for the Sony F5 and F55 cameras for personal projects or the budget conscious.

Guest blog post by director/cinematographer Dennis Hingsberg.

Check out his website at: starcentral.ca

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